Camera 1 is a continuous shot on a Panasonic GH4 that lasted an hour and got recorded as 12 clips that were each 5 minutes long, with no gaps between clips. You ask, why not use the built-in audio sync option in PP to "create multicam source sequence"? Because in my case it creates a garbled mess.
I have tried "nesting the Pluraleyes sequence" per several different scenarios described in the past, but there is still no option to "create multicam source sequence". Responses are currently closed, but you can trackback from your own site.I know this question has been asked several times over the years, but the answers given in past years are not working for me in PP CC 2017. You can follow any responses to this entry through the RSS 2.0 feed. This entry was posted on Thursday, October 10th, 2013 at 12:29 and is filed under audio, Premiere. In my case, the file itself plays fine in Premiere, it’s only when nested that the problem arises, hence I doubt the same solution would fix my problem.This tells us the repeat comes from whatever clip is penultimate to the Crossfade audio transition, it does not happen only for one clip in particular.If instead I delete only the audio part and then drag the previous audio (only) part forwards (in time) to fill the gap, then when I play Master Sequence, the “repeat” now comes from the end of what is now a different “previous clip” (the one that was prior to the one I just deleted).By “penultimately” I mean not the clip that is the left-hand part of the transition, but the clip before that (which is not therefore any part of the transition).the element containing the “big finish”, leaving a gap (black silence) then when I play the Master Sequence, the gap faithfully appears as expected but then the “repeat” (of the “big finish”) nevertheless happens. If I delete the multicam sequence element (audio & video) penultimately preceding the transition, i.e.If I replace the crossfade with then it makes no difference (the problem remains).As stated earlier, if I delete that (leaving the audio transition to be a plain Cut) then the problem (at Master_Sequence level) no longer occurs.It is very convenient and less “messy” than fiddling about with Envelopes and Track Width etc.Possibly the 6dB limit might be configurable in Preferences (I just saw a setting suggestive of that but haven’t tried it),.Audio Gain can increase gain by any amount, whereas Volume Envelope’s maximum gain appears to be 6dB.I used this approach rather than Volume envelope because:.Then I added in order to smooth the join to the applause. The reason I did that was to separate the end of a song from the following applause etc., which was much quieter, to allow Clip: to be carried out separately on that applause.The only potentially (?) unusual thing I did in the edit of the Multicam Sequence was at certain places to cut just the audio track (via tool, having selected only the audio part via.I often encounter bugs when I go “off-piste” as compared to most people’s editing procedure, presumably due to programmers/testers not having thought similarly “off-piste”.It feels to me like this is a bug in Premiere CC, broadly similar to something I once encountered (in a different project) in Premiere CS6.
This is suggestive of a memory issue, such as cache (RAM or file) or buffer (presumably RAM).The repeated element of audio is not that within the Crossfade transition, it is instead from a (short) clip (resulting from multicam editing) almost immediately preceding the transition.If I delete that Crossfade (leaving the audio transition to be a plain Cut) then the problem (at Master_Sequence level) no longer occurs. In the Multicam_Sequence, near to the problem part of the audio.It does not occur at the Multicam_Sequence level. The problem occurs when editing, but only at the Master_Sequence level.The repeat is quieter than the “real” (wanted) one.